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The Art of Collage
Collage, from the French word “coller” (to stick),
is a technique
that incorporates fragments of paper and collected or found
objects into artistic compositions. The National Gallery of Art
credits Georges Braque and Pablo Picasso with legitimizing collage
as fine art. Today any material fixed to a surface may be termed
collage.
As usual, the guys get all the credit! At the risk of generalizing
I think women have a genetic proclivity for collage and have been
creating it since time began.
Women tend to arrange and organize, rearrange and reorganize,
until
they see a composition that is pleasing to the eye. Women do this
with home décor, their dinner tables, their closets, their
makeup,
their apparel, you name it.
Men, on the other hand, tend to leave things where they lie,
find
organization in disorganization, have little concern (and may
exhibit
actual annoyance) if you ask them to pick up after themselves
or put
things back “where they belong so you can find it when you
want it,
Dear”.
Women’s genetic tendency to artfully arrange things explains
the
current rage for scrapbooking which has evolved into a very advanced
form of collage. Also in the collage category are shadow boxes,
photo collages, collaged cards, framed family history or theme
collages,
and of course collage art (-for-art’s sake).
1. Any collage starts with a theme or group of somehow related
objects. So look around you. Get the shoebox of family memorabilia
out of the attic. Keep your eye out for objects that appeal to
you
and are mountable. Just a few suggestions: beach glass, shells,
small
pieces of driftwood, dried flowers and leaves, jewelry parts,
charms,
doll house furniture and accessories, machine parts, e.g. gears
from
a watch or small motor, kitchen utensils, or old silverware.
You may have several groups accumulating at once; and objects
may be
moved at whim from one group to another. Once you have enough
in any
one group, lay them out on a table and arrange them. Let them
talk to
you. Leave them for a few days, glancing at them from time to
time and
moving items around until you are satisfied with the arrangement.
Or if
you’re really inspired, you may be pleased with your first
arrangement!
It happens sometimes.
You may want to enhance or alter some objects for a special look.
Paper
can be “antiqued” by carefull singeing the edges and/or
washing over
the paper with tea. Some items can be painted or shellacked. You
may want
only part of a photo. Tear or cut away the unwanted portion or
create a
pretty mat from textured paper in a coordinated color. Objects
can be
painted or colored: polka dots on a scrap of metal, a stained
glass
design painted on clear glass, a matte finish on one item that
would
otherwise clash with all the glossy ones – or vice versa.
2. Depending on the size and weight of your arrangement, choose
your substrate. If the collage will be large and heavy, consider
masonite,
hardboard or wood, at least ¼ inch thick. It is a good
idea to glue two
firring strips to the back for support, both while you work and
when you
go to hang your collage. Metal can also be used and is very effective
in
combination with objects welded to it.
If you are scrapbooking, your substrate is most likely 12 X 12
inch paper
and your items need to be lightweight. Other possibilities are
stretched
canvas, cardboard or wooden boxes, poster board, or for cards
- any type
of cardstock or decorative paper including handmade papers.
3. Prepare your substrate if necessary. For example, you may
need to
shellac or seal if you are using wood. You may want to put a wash
of color
or sponged pattern as a backdrop to your theme.
4. Decide what you will need in order to mount your objects.
Choose glues
appropriate for the object and the substrate; preferably ones
which dry
transparent. Try to avoid any glue seeping out from the edges
by carefully
placing and spreading the glue and letting it come to a proper
tack before
placing each object on the base. Follow the manufacturer’s
label
instructions. Be sure the adhesive is permanent and, if you are
working
with photos, also acid-free. Some consumer tapes, glue sticks
and liquid
adhesives are not permanent or may react with photographs and
cause them
to deteriorate. Some of these adhesives contain acids and other
materials,
such as plasticizers or softening agents, which can migrate onto
a
photograph and cause discoloration, fading and brittleness.
Other possible fasteners are nails, tacks (especially decorative
ones such
as upholstery tacks), pegs, bolts, glue dots, stick pins, wire
and tape.
Or you might take up welding. You wouldn’t be the first woman
to do so!
If you are a woman looking for your artistic or profitable niche,
I
recommend you give some type of collage a try. It just comes so
naturally
to most women that you may find it feeds the soul, as well as
the
pocketbook.
For more articles, tips and ideas about crafts and the crafting
business,
visit http://www.theartfulcrafter.com
About the Author
Ms. Bergen has had a varied career, first as a special education
teacher and than, after getting a MBA degree, as a vice president
of a major insurance company. For the last eight years she has
been creating and selling her crafts.
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